父子神探之雨夜迷踪
李子雄,马跃,吴启华
《暗黑女子》改编自秋吉理香子的同名人气推理小说,描述了女子高中美少女白石逸美神秘死亡以后,逸美同校文学部的少女们,开始以她的死亡为主题,各自发表了检举犯人的作品。由清水富美加和饭丰万理江担任双主演,由《百濑,朝向这边》、《战神:只是爱着你》的导演耶云哉治执导。 影片《暗黑女子》是一部由耶云哉治执导的影片,该片于2017年4月1日本上映。 本片围绕基督教名媛学校圣母玛利亚女子高等学院的理事长之女、全校同学羡慕的物件——白石逸美(饭丰饰演)神秘死亡的故事展开。 好友澄川小百合(清水饰演)代替逸美,继任了文学小组的会长而被成员们怀疑。她为了查明逸美死亡的原因并找出真凶,让成员们写关于「逸美之死」的小说,然后大家一起摸黑开朗读会。 清水富美加饰演文学部部长澄川小百合,白石逸美则由饭丰万理江出演。千叶雄大饰演的北条老师曾是学校文学部的顾问,因向身边工作人员讲猥琐话题被赶走,实际上拥有不为人知的秘密。 其他角色方面,保加利亚留学生狄安娜•迪切瓦由玉城蒂娜扮演,清野菜名出演作家高冈志夜;梦想成为甜点师的小南彩音由小岛梨里杏扮演,总是为奖学金而焦虑的二谷美礼由平佑奈扮演。
文德斯
理查德·林克莱特
彼埃尔·保罗·帕索里尼
史提芬·索德伯格
姜帝圭
格里菲斯
陈果
卡梅隆詹姆斯
在报馆任职的骠叔(董骠 饰)因为工作的关系带着全家到加拿大工作。一家五口都全身心投入新环境新生活中,骠叔却因得罪上司被解雇了。由于大女儿、二女儿(李丽珍 饰)已开始了学业,他唯有带着妻子骠婶(沈殿霞 饰)与最小的女儿回到香港继续生活,生活却比以前更艰难了。骠婶无意中发现了一张加拿大的头奖彩票,奖金是两千万加币。 由于不够钱到加国,骠叔硬着头皮向旧上司借。同样受到经济危机的上司设法要夺取骠叔的彩票。骠叔一家顽强对抗,保住了彩票,却无法在领奖时限截止前赶到。 一家人伤心流泪,悲伤之中发现时间上出现了时差,领奖的时间还没截止。
ISSAC is an intense psychological thriller which constantly treads the lines of reality and fiction. Issac, A young reclusive mortician who inherited his stepfather's mortuary business meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together. This film mixes a realistic story with surreal imagery, showing how one in isolation may operate due to the circumstances he has been given. Issac inevitably makes a choice and never questions the morality of his decisions.
半年前,17岁的布兰特(Xavier Samuel 饰)与父亲驾车遭遇车祸,父亲身亡,布兰特和母亲始终没有从伤痛中走出。同校的劳拉(Robin McLeavy 饰)邀请布兰特同去舞会,布兰特木讷的予以拒绝,转头陪伴自己的女友赫莉。当天布兰特独身在野外攀岩,当他来到山顶时,久候多时的劳拉之父将他麻醉带走。 布兰特醒来时,发现自己被困在劳拉家中,这个看上去文静的微胖女孩居然利用自己的父亲将多位男孩绑架,父女二人残酷的虐待他们,最后用电钻把他们的头骨钻开变成嘶哑的痴呆。劳拉的母亲也不能免于折磨,她形容枯槁奄奄一息,被父女二人视为无物。面对这对关系暧昧的怪异父女,布兰特必须用尽一切办法自救……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
故事发生在上世纪90年代的一个美国小镇上。扎克和乔西从童年时就是最好的朋友,他们每天一起骑车上下学,放学后一起玩耍,甚至喜欢上同一个女孩。然而平静的生活在某天下午被彻底打破了。聚会因大麻而失控,朋友达里尔在教室里失血过多身亡,男孩们恐慌无措地要彼此发誓保密,扎克简单的生活仿佛被撕开了一道巨大的口子,整日被罪恶感压迫地喘不过气,乔西则索性不再上学,甚至不再走出家门一步。曾经密不可分的两个男孩在数日后便产生了不可逾越的鸿沟……
全球突然出现了很多来自宇宙巨大的“入口”,世界一片混乱、陷入危机。这些扭曲现实的入口为何出现,它们的另一端是?
安德拉尼克·马奈,帕斯卡尔·雷内里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克莱芒丝·库隆,Fabio Caron,Audrey Bonnet,克莱尔·博德森,苏菲‧卡达尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena
宇桐非,梁镜珂,苏一龙,李华,郑龙,孟靖,张绮烟
洪紫琳,孔舒航,慕岩,金尤美,赵干羽,刘蔚森,杨悦心,高杰,任娇,周婷,安德烈·拉泽夫,麦小龙,余浩瑞,刘光帅,王星凯,王小曼,李小龙,金韬,何然,Dima,那朵,于洛熙,赵英龙,萌宝宝,雪千琪琪,周末,Kevin,勃小龙,唐亦静,韩欣茹,Kisa,朱睿,师军红,王锐,陆鑫
曾志伟,陈百祥,陈友,古嘉露
伊兰·德布拉班特,奥黛丽·拉米,让-保罗·卢弗,皮埃尔·阿迪提,格莱高利·嘉德波瓦,让-皮埃尔·达鲁森,阿德琳·戴尔米,诺埃米·洛夫斯基,弗朗索瓦·莫雷尔,Anton Alluin,Oscar Boissière,Léandre Castellano-Lemoine,Malo Chanson-Demange,Simon Faliu,马利克·劳吉尔
马丁·拉波德,Michael Finger,Claude-Oliver Rudolph
安东尼·霍普金斯,小库珀·古丁,唐纳德·萨瑟兰
约翰·古德曼,艾什顿·桑德斯,乔纳森·梅杰斯,维拉·法米加,凯文·杜恩,詹姆斯·兰索恩,阿兰·卢克,玛德琳·布鲁尔,机关枪凯利,凯文·J·奥康纳,本·丹尼尔斯,凯特琳·埃瓦尔德,D·B·斯威尼,瑞内·L·莫雷诺,珊农·克奇兰,琪琪·莱恩,马克·格拉佩,丹尼·高德林,简·巴克斯特·米勒,赛勒斯·亚历山大,伊立沙·弗雷丁,莉茲·丽,巴尔巴拉·伊丽莎白·马莱斯基,鲁斯·帕萨雷拉